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The Taste of Ashes, by Sheila Peters
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Two unlikely worlds collide in Sheila Peters's first novel, The Taste of Ashes, a story of redemption and the resilience of the human spirit, even at its most frail and vulnerable.
Isabel Lee's early life in rural BC was forever changed by a brief but powerful love affair with a young Oblate priest. Now a recovering alcoholic, Isabel struggles to pull the tattered fragments of her life together and repair the damage to her relationship with her estranged daughter.
Once idealistic and hopeful, Father Àlvaro Ruiz now has his own demons to confront. Brutally tortured at the hands of the Guatemalan authorities and unable to escape the wounds of his past, Àlvaro returns to Canada seeking sanctuary, a broken man with a tenuous grip on his faith in God and humanity.
Isabel's and Àlvaro's stories slowly weave together and they are eventually faced with their greatest challenge yet: can they carry on in the wake of the damage and bring themselves to forgive? Compelling, disturbing but ultimately hopeful, this is the story of how we find grace in the most unexpected places.
- Sales Rank: #2017028 in eBooks
- Published on: 2012-05-01
- Released on: 2012-05-01
- Format: Kindle eBook
About the Author
Born and raised in the coastal town of Powell River, BC, Sheila Peters went to Carleton University in Ottawa to study journalism; after graduation, a newspaper job brought her to Smithers in Northern BC. Her work has appeared in several Canadian literary journals, including 'Event', 'Prairie Fire', 'Grain', the 'Malahat Review' and 'Descant'. She is the author of 'Canyon Creek: A Script' (Creekstone Press, 1998) and 'Tending the Remnant Damage', a collection of linked short stories (Beach Holme Press, 2001). Sheila and her husband own and operate Creekstone Press. They have two grown sons and live in Smithers, BC.
Most helpful customer reviews
1 of 1 people found the following review helpful.
Tasteful
By Vivien
The character Isabelle is an alcohol addicted woman who, in a moment of passion with a priest, conceives a child. The priest learns nothing of the conception. The mother and her daughter have a difficult time living together until the relationship falls apart totally. Meanwhile, the priest, knowing nothing of the conception and resulting birth of his daughter, returns to Guatemala and suffers under an oppressive regime. He finally returns to Canada where he hopes to regain his mental and physical health. The three characters, the priest, the daughter and the mother, come together and resolve the disappointments life has laid out for them. This is a gripping story and one I highly recommend.
0 of 0 people found the following review helpful.
Fast moving, but deep read.
By E. Bishop
The Taste of Ashes reads more like non-fiction about actual living, breathing individuals and literally true events, than well-researched fiction that's "merely" emotionally true. By praising it or raving about how much I enjoyed it, I feel I'm making light of real people's very difficult, hard circumstances. Likewise, if I criticize any part, I feel I'm somehow slamming real people--and how dare I do that?
But I did enjoy it. Identified with it. Laughed out loud in places. The story's written in a braided narrative, with three main point-of-view characters: Isabel Lee, one-time wild child, now recovering alcoholic and fodder for the small town rumour mill, Father Álvaro Ruiz, a priest seeking respite in Canada after enduring mind, body and spirit breaking torture in Guatemala, and Janna--Isabel and Álvaro's daughter, born out of an intense affair the first time Álvaro was in Canada as a young Oblate priest--a child Álvaro knows nothing about. Once their voices were established and I knew who was who, I could hardly put the book down--though at times, out of stress, outrage and empathy, I wanted to throw it across the room.
Peters is incredibly skilled at showing the many-layered ways we hurt the people we love unintentionally (through ignorance and indifference--or just misunderstanding what they actually need from us)--and worse, the ways some people intentionally set out to damage and destroy others. She's equally adept, however, at showing that healing also exists (if at a price), that love (in the furthest thing from a mushy, romantic sense of the word) endures, and grace--in sharp splinters of pain and light--can eventually pierce and change even the bleakest reality. She also shows and celebrates the power of beauty and nature.
The story also challenged me. Disturbing content adds depth to the pure pleasure of a well told, absorbing story and provokes thought. Like Isabel, I have lived in northern BC my whole life (I was born in Smithers and actually lived on Railway Avenue for most of my early childhood--the same street Isabel lives on), and any pain and personal hardship I've experienced has been on a small town scale. I don't fear authorities. I have the luxury of "rights." Torture at the hands of the government (shameful for me to admit) is the stuff of movie plots or awful newscast footage. I am moved and horrified by it, but in the detached way of one who is safe from such things. To explore the darkness and seeming randomness of that type of evil was very difficult and, I think, beneficial (though even that word--beneficial--reeks of privilege). I was shamed by my insulated safety, and by my lack of knowledge about South America, particularly Guatemala.
Peters' beautiful, strong writing and vivid, put-you-there descriptions made it easy to forgive the (very few) instances where I stumbled over a transition into a different point-of-view or time period that could've been smoother.
My only real "complaint" about the book is not about the story at all; it's about its cover. While I know one can't (or shouldn't!) judge a book by the cover, I'm confused by its plain garb. I don't see how the sedate, black and white photo of a babe in a blanket-sling on his faceless mother's back fits specifically to the story or speaks to its themes. Nothing hints of the glorious exposure (and exposé) the story provides of northern BC living. Nothing shows of the complexity of the cross-cultural, cross-generational relationships it delves into.
Don't let the slightly boring cover keep you from choosing this book. It's well worth your investment of time and money. Great read!
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