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The House Of Mirth, by Edith Wharton
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Striking, sophisticated and witty, Lily Bart lives a life of expensive taste and civilised society in turn of the century New York. But nearing thirty and still unmarried, Lily’s place in society becomes uncertain without a husband to maintain her lifestyle and social standing. After rejecting several offers of marriage, Lily’s life spirals out of control as she begins an innocent relationship with a friend’s husband, Gus Trenor, and is accused of adultery. Destitute and alone, Lily realizes that she has lost her chance at happiness with the only man she truly ever loved.
The House of Mirth was Edith Wharton’s first important work of literature. Written in the style of a novel of manners, Wharton’s depiction of social cruelty and the perils of elitism remains relevant to this day. The House of Mirth was adapted for film by Terrence Davies in 2000, starring Gillian Anderson as Lily Bart, Dan Aykroyd as Gus Trenor, and Eric Stoltz as Lawrence Seldon.
HarperPerennialClassics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.
- Sales Rank: #1022314 in eBooks
- Published on: 2013-03-19
- Released on: 2013-03-19
- Format: Kindle eBook
Amazon.com Review
"The heart of the wise is in the house of mourning; but the heart of fools is in the house of mirth," warns Ecclesiastes 7:4, and so does the novel by Edith Wharton that takes its title from this call to heed. New York at the turn of the century was a time of opulence and frivolity for those who could afford it. But for those who couldn't and yet wanted desperately to keep up with the whirlwind, like Wharton's charming Lily Bart, it was something else altogether: a gilded cage rather than the Gilded Age.
One of Wharton's earliest descriptions of her heroine, in the library of her bachelor friend and sometime suitor Lawrence Selden, indicates that she appears "as though she were a captured dryad subdued to the conventions of the drawing room." Indeed, herein lies Lily's problem. She has, we're told, "been brought up to be ornamental," and yet her spirit is larger than what this ancillary role requires. By today's standards she would be nothing more than a mild rebel, but in the era into which Wharton drops her unmercifully, this tiny spark of character, combined with numerous assaults by vicious society women and bad luck, ultimately renders Lily persona non grata. Her own ambivalence about her position serves to open the door to disaster: several times she is on the verge of "good" marriage and squanders it at the last moment, unwilling to play by the rules of a society that produces, as she calls them, "poor, miserable, marriageable girls.
Lily's rather violent tumble down the social ladder provides a thumbnail sketch of the general injustices of the upper classes (which, incidentally, Wharton never quite manages to condemn entirely, clearly believing that such life is cruel but without alternative). From her start as a beautiful woman at the height of her powers to her sad finale as a recently fired milliner's assistant addicted to sleeping drugs, Lily Bart is heroic, not least for her final admission of her own role in her downfall. "Once--twice--you gave me the chance to escape from my life and I refused it: refused it because I was a coward," she tells Selden as the book draws to a close. All manner of hideous socialite beasts--some of whose treatment by Wharton, such as the token social-climbing Jew, Simon Rosedale, date the book unfortunately--wander through the novel while Lily plummets. As her tale winds down to nothing more than the remnants of social grace and cold hard cash, it's hard not to agree with Lily's own assessment of herself: "I have tried hard--but life is difficult, and I am a very useless person. I can hardly be said to have an independent existence. I was just a screw or a cog in the great machine I called life, and when I dropped out of it I found I was of no use anywhere else." Nevertheless, it's even harder not to believe that she deserved better, which is why The House of Mirth remains so timely and so vital in spite of its crushing end and its unflattering portrait of what life offers up. --Melanie Rehak
From Library Journal
Wharton's account of the ill-fated life of Lily Bart receives a perfunctory treatment in this audio program. It is New York in the early 20th century; Lily loves Lawrence Selden, but he sees her as a fortune hunter, with tragic consequences. The author excels at delineating the ways money, romance, and social standing intertwine in the society of the time. Included is a lengthy introduction by Wharton biographer R.W.B. Lewis that sets the work in the context of the writer's life and career. Casual listeners may consider the preface too long and scholarly, and those coming to the novel for the first time may be put off by learning the outcome and by hearing Lewis's uncertainty about whether it is a masterpiece. Anna Fields handles the narration adequately but strains to create masculine voices and makes most of the women too flighty. As a result, the characters seem more trivial than Wharton intended. Not recommended. Michael Adams, CUNY Graduate Ctr.
Copyright 2001 Reed Business Information, Inc.
Review
“This is an admirably edited volume that includes a wide range of texts by Wharton and illuminating documents from the period. The editors set The House of Mirth in the context of European as well as American novelistic practices, greatly expanding our understanding of Wharton’s first major and arguably finest novel.” ― Carol J. Singley, Rutgers University-Camden
“Too often pigeon-holed as the work of a buttoned-up proper ‘lady,’ The House of Mirth is restored in this edition to its full cultural context. Critics have downplayed Wharton’s connection to popular culture in favor of promoting her status as a canonical author. This edition makes Wharton’s relationship to popular culture explicit by providing readers with a full dossier of materials, from fashion plates to advice columns and social commentary.” ― Augusta Rohrbach, Brown University
Most helpful customer reviews
185 of 195 people found the following review helpful.
MY FRIEND LILY BART
By Charles Slovenski
I stumbled upon a review of the recent film of THE HOUSE OF MIRTH in the TLS and, in order to have the novel firmly fixed in my mind (that is, before the lush, seductive images of film forever eradicated Wharton's novel from me) I dragged my copy off the shelf for a re-read. It had been 16 years since I last read of Lily Bart and her life, and I didn't realize how much I had missed her. For me, this is one of the great reading experiences, one of a handful that make reading a book the deeply moving and human exchange that it is. Despite the distance of wealth, property, time and manners, Wharton manages to make Lily's world and life palpable to anyone who will listen. The clash of money, morals, personality and circumstance is infinitely developed and played out in front of a never fading natural world. Once again, I was deeply moved by Lily Bart and at the end, felt I had lost someone myself.
144 of 156 people found the following review helpful.
A Brilliant Novel Of A Brittle Society And A Tragic Heroine.
By Jana L.Perskie
Edith Wharton's "The House Of Mirth" is a sad, but brilliant commentary on the closed, repressive society of the rich, upper class, New York nobility, at the dawn of the 20th century. It is also the story of the downfall of one woman, who attempts to live by her own rules, with no sponsor and no money of her own. Her parents are dead and she lives with relatives.
Lily Bart is one of society's most eligible women, at the height of her powers, when the novel opens. Though she has little money, she has family connections, good breeding and the hope of coming into an inheritance. Beautiful and very charming, Lily has been brought up to be an ornament, as were most women of her class at that time. She is a gilded bird with a noble heart, but clearly she is not aware of the restrictions of her cage. Part of Lily's tragedy is that she does have character, spirit, and a conscience. However, she does not know how to align these attributes, with her ornamental avocation, and her ambitions to marry a wealthy man of good birth.
As expected, Lily is popular with both bachelors and married men. Most of the bachelors propose marriage at on time or another. The only man she has real affection for is her dear friend, Lawrence Seldon, a barrister, whose lack of income makes him entirely unsuitable as a husband. Lily had developed a gambling habit to support her lifestyle, and supplement her allowance. An unfortunate losing streak has put her into debt. In her naivete, she forms an unsavory business alliance with a married man. Later, she is unjustly accused of having an affair with him and their business arrangement also come to light.
Her family cuts her off without a penny. Society friends and connections reject their former darling, trying to extricate themselves from any repercussions Lily's indiscreet behavior may have on their reputations. Former friends turn vicious. The irony is that Lily has never committed any of the sins she is accused of. Several of her friends have, and frequently...but their sins are committed with the utmost discretion. Lily's crime is indiscretion. Her beaus disappear, as do her marriage prospects. The hypocrisy of her class becomes more apparent to her, as she searches for a means to survive, with all the familiar doors closed in her face.
Lily seeks employment as a seamstress in the New York City slums, and lives there also, in a humble room with no refinements. Having no formal training and no real ambition, (her ambivalence about work is obvious), she sinks into deep depression and begins to decline. Laudanum helps her to sleep, and she becomes dependent on the drug.
Lily's descent, from society's beautiful darling to a disheveled, desperate woman living in a shabby hotel room, addicted to drugs, is disturbing reading, to say the least. Her decline seems inevitable, especially after we read of her many poor and self-destructive decisions. She seems to sabotage herself. However, Lily Bart is ultimately the victim of a cruel society that sacrifices anyone who does not conform to its expectations.
After reading "House Of Mirth," for the first time several years ago, Lily's character has remained clear in my mind. I think of her from time to time with great poignance and a sense of personal loss.
52 of 54 people found the following review helpful.
"A handsome girl who flirted with a married man was merely assumed to be pressing...her opportunities."
By Mary Whipple
Published in 1905, The House of Mirth offers a blistering social commentary on the lifestyles and behavior of super-rich society. Having grown up in this society, Wharton evaluates it here as an insider, and her trenchant observations give this early novel a liveliness and verisimilitude not characteristic of "aristocratic" novels written by outsiders. Set at a time in which the old, moneyed aristocracy was being forced to admit newcomers who had made their recent fortunes through industry, the novel shows moneyed society in flux, the old guard ensuring their exclusivity against parvenus who are not the "right type," at the same time that their sons and daughters were often securing large fortunes through marriage into some of these new families.
Lily Bart, a beautiful young woman of good family whose father lost everything when she was only nineteen, is left dependent on wealthy relatives in this society until she can charm a financially secure suitor into marriage. At age twenty-nine, she is no longer a debutante, and the pressure is mounting for her to marry, though she lacks the unlimited financial resources of social rivals. Still, her wit and charm make her a delightful companion, and she is never at a loss for suitors. Intelligent enough to want a real marriage and not just a merger between families, she has resisted making a commitment to date, though the clock is ticking.
As Lily tries to negotiate a good marriage and future for herself, she is aware that the competition is fierce. Women "friends" pounce on the latest gossip and spread rumors to discredit rivals, and Lily's reputation is tainted with hints of impropriety. Her opportunities for a good marriage begin to dwindle, and when her aunt, Mrs. Peniston, dies and leaves her a bequest that covers only her debts, Lily is no longer able to compete in the society so attractive to her and begins her downward spiral.
Wharton creates a complete picture of turn-of-the-century New York society and its "important" people--their lack of scruples, their opportunism, their manipulations, and their smug self-importance, characteristics one may also see in Lily when she is part of this society, though there is a limit on how far she will stoop. But Wharton also shows how quickly a woman may become an outcast when the money runs out and she is thrown on her own resources without any training for any other kind of life. A well-developed melodrama filled with revealing details, this novel established Wharton's reputation as a novelist/commentator on the manners and morals of high society and those who would participate in it. n Mary Whipple
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