PDF Ebook Border of a Dream: Selected Poems of Antonio Machado (Spanish Edition), by Antonio Machado
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Border of a Dream: Selected Poems of Antonio Machado (Spanish Edition), by Antonio Machado
PDF Ebook Border of a Dream: Selected Poems of Antonio Machado (Spanish Edition), by Antonio Machado
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Antonio Machado (1875–1939) is Spain’s master poet, the explorer of dream and landscape, and of consciousness below language. Widely regarded as the greatest twentieth century poet who wrote in Spanish, Machado—like his contemporary Rilke—is intensely introspective and meditative. In this collection, the unparalleled translator Willis Barnstone, returns to the poet with whom he first started his distinguished career, offering a new bilingual edition which provides a sweeping assessment of Machado’s work. In addition, Border of a Dream includes a reminiscence by Nobel Laureate Juan Ramón Jiménez and a foreword by John Dos Passos.
from "Proverbs and Songs"
Absolute faith. We neither are nor will be.
Our whole life is borrowed
We brought nothing. With nothing we leave.
*
You say nothing is created?
Don’t worry. With clay
of the earth make a cup
so your brother can drink.
Born near Seville, Spain, Antonio Machado turned to a career in writing and translating in order to help support his family after the death of his father in 1893. His growing reputation as a poet led to teaching posts in various cities in Spain and, eventually, he returned to finish his degree from the University of Madrid in 1918. He remained in Madrid after the outbreak of civil war, committed to the Republican cause, but the violence finally forced him to flee. He died an exile in France.
Willis Barnstone is one of America’s foremost translator-poets, bringing into English an extraordinary range of work, from Mao Tse-tung to the New Testament.
- Sales Rank: #643832 in eBooks
- Published on: 2013-07-01
- Released on: 2013-07-01
- Format: Kindle eBook
Most helpful customer reviews
50 of 50 people found the following review helpful.
Delving Deeper into the Dream Below the Sun
By Gary Schmechel
Antonio Machado is one of the world's greatest poets. This new addition to the slowly growing opus of Machado in English is the largest yet published, and the closest to a "Collected Poems" that we are likely to have for some time to come. (Might Mr. Barnstone be persuaded to put together a Collected Poems of Antonio Machado?) I believe there are certain felicitous pairings of poets and translators, and that the pairing of Willis Barnstone with Machado is just such a case. Mr. Barnstone's earlier volume, The Dream Below The Sun, (The Crossing Press,1981), was my first introduction to Machado's "spare, luminous, profound" poems, and so his translations have been imprinted upon my psyche as "Machado in English." I have read other translations of Machado's work, but none have yet surpassed Mr. Barnstone's.
This selection of Machado's work incorporates the 150 poems from The Dream Below The Sun, the sonnets included in Six Masters of The Spanish Sonnet, an expanded version of the evocative, highly readable and informative essay from that volume as an introduction, and about eighty-five new poems. The crowning addition here is Mr. Barnstone's inclusion of the long ballad "The Land of Alvargonzález," the longest single sustained poem that Machado wrote, presented here for the second time in English (the first translation was published in 1982 in the U.K. by Dennis Doyle). Though Mr. Barnstone rhymes in many of the translations (no mean feat, as I know from personal experience), or uses assonance to help capture the musical quality so integral to Machado's work, in this longer piece he has chosen a kind of blank ballad verse that reads with the fluency, directness and starkness of the original. Like many "folk ballads," the poem deals with greed, jealousy, murder (in this case: particide) and the supernatural force of a justice which metes out an appropriately grim punishment for the evildoers.
Mr. Barnstone has also included fuller translations of long sequences that Machado titled "Proverbs and Songs" (there are two different ones with this title: one from Fields of Castilla, 1907-1917, and another from New Songs, 1917-1930), plus numerous others featured in selected form in the earlier Crossing Press volume, and a few new ones. These sequences are full of intensely lucid perceptions, aphoristic incisiveness, paradoxical wisdom and sharp lyrical beauty. Their short, trenchant and suggestive nature brings many of them close to Japanese haikus in quality-certainly some of the closest produced by any major European poet.
I recommend this generous, beautiful volume to anyone who seeks a poetry that sings deeply and resonantly while imparting a heartfelt and soul-deep wisdom about the paradox of being alive as a human being. You will find yourself returning to these poems over and over again, as I have done.
14 of 15 people found the following review helpful.
Wonderful poetry.
By Hunter Smith
I don't usually read poetry however I'd hear so much about Antonio Machado I thought I give it a try. It was well worth it because I love his work and I feel that I have finally found a poet I can understand and realate to. Although his writing makes me feel good inside - its not because its cheerful writing. It really makes me feel like I'm outside on a sunny, cool, autumn, afternoon pondering my life. It is simple writing in the words, yet creates a deeply introspective, sad, lonely feeling inside my heart - but in a wonderfully meaning way. Now I want to go to Spain, to the places where Antonio lived and wrote, and roam the countryside seeing the places that formed his sights to life.
9 of 10 people found the following review helpful.
Very, very poor translation
By B. R. Townsend
I ordered this because I was looking for suitable poems in Spanish to set to music. I started reading with some measure of enjoyment--Machado is after all, a highly respected poet in Spain. But more and more I became disenchanted. I started comparing the English with the Spanish and found a host of problems and errors. Some examples:
This is one of the worst, on p. 19. The Spanish reads: "de las fragancias virgenes y muertas" which was translated as: "of dead virgin smells"!!! That is about as crude and unpoetic as you could get. A direct translation would be "of odors virgin and dead"
P. 27: The Spanish reads "Y en la guitarra, resonante y trémula" which was translated as "On the echo and throb of the guitar" A much better reading would be "And on the guitar, resonant and throbbing"
P. 43: The Spanish reads "Sobre la negra túnica, su mano/era una rosa blanca" which was translated as "Across his black garment/was a white rose" The obvious translation would be "Across his black garment, his hand/was a white rose"
P. 65: The last line of the poem reads "de sombra y de ciencia" which was translated as "on black science". The obvious translation would be "on shadow and science."
Believe me, I could go on and on. OK, one more particularly egregious one.
P. 317: the Spanish reads "copla solitaria/junto al mar amargo" which was translated as "solitary cup/by the bitter sea". "Copla" is not the same as "copa"!!! "Copla" is "verse" not "cup". The lines should read "solitary verse by the bitter sea"
Did no editor ever see this publication? This is absurdly ham-handed work. I am far from a fluent speaker of Spanish, but these are the most rudimentary errors. I quit reading when I realized I was just looking for the next mistake. I did not start out paying much attention to the accuracy of the translation, but the errors became glaringly obvious.
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