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Twigs and Knucklebones, by Sarah Lindsay
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"Had Dr. Dolittle fathered a prodigious daughter, she might well be behind the bizarre and entertaining personae found on the pages of Lindsay's first-book bestiary...Lindsay's dark-edged, sometimes creepy poems are also imbued with a buoying sense of respect for the different, the unexpected and the challenging.... In work reminiscent of Amy Clampitt and of Albert Goldbarth, Lindsay weaves informed and moving lyric claims around scientific facts, lamenting extinct species or following local rivers."
—Publishers Weekly
"Twigs & Knucklebones is a rare thing in poetry—a very good read....(Sarah Kindsay's) voice...is omniscient yet intimate, super-literate and flawlessly graceful, like a really good lecturer who knows how to entertain an audience while speaking on complex subject matters."
—Poetry Foundation
"With wonder and bemusement, Lindsay writes supple, sparkling poems about life's perpetual coalescence and breaking down....The heart of this mordant yet profoundly compassionate book is a vivid and involving series about the fictional ancient kingdom of Nab. Here Lindsay sifts through the detritus of a civilization, imagines the inner worlds of people long gone, and the layering of tomb upon tomb, city upon city as bone, clay vessels, and the inscribed tablets are all crushed into splinters and shards."
—Booklist
“Sarah Lindsay is blessed with the sort of X-ray vision a philosopher would kill for.”—The New York Times Book Review
Quirky, macabre, vivid, and fascinating, Sarah Lindsay’s poetry in Twigs and Knucklebones melds science and art with astonishing facts that might just be true: spadefoot toads singing till their throats bleed, an explorer tumbling into an Antarctic crevasse and swinging from his tether like a pendulum.
Many of Lindsay’s poems occur in extremis, and the situations are often severe and surreal: the futuristic “Valhalla Burn Unit on the Moon Callisto” or a bog person discovered in Eske’s Field. These characters often span—in the space of a poem—various times, cultures, and contexts. Lindsay also creates her own fictional kingdom and peoples it with outlandish characters, including jerboas, megalomaniac archaeologists, an adjunct professor, goatherds, farmers, and the god Nummis, who is depicted with a “hawk on his head, fish in one hand, horned ibex at either side.”
We prod and whisk and deduce what we can
from marks in clay, from the trace of a wall.
But the way the king tossed and caught his adoring daughters,
the foolish songs he improvised for his wife, and his furry voice—
these have been safely forgotten.
Sarah Lindsay is the author of two previous books of poems. Her debut volume was a finalist for the National Book Award. She lives in North Carolina.
- Sales Rank: #1749005 in eBooks
- Published on: 2013-07-01
- Released on: 2013-07-01
- Format: Kindle eBook
From Publishers Weekly
Starred Review. Most of the highly detailed scenes in this third collection from Lindsay (Primate Behavior) come from an invented ancient Near Eastern city called Nab, where Lindsay's imaginary archeologists excavate evidence of ancient gods, ancient building projects and ancient quandaries not unlike our own: "a dry land pounded down at too many crossroads." Nab fell victim to shifting "trade routes,/ drought, scouring winds, jerboas and salt." Superb set pieces imitate modern investigators' methods: Lindsay gives us a set of infants preserved in jars, the "abashed... new priest of a god without hands" and a "Reconstruction of Temple Area, Seventh Level" that is also a lament for modern old age. Before and after archeology, at the beginning and end of this capacious collection, comes ecology, along with geography and biology. In work reminiscent of Amy Clampitt and of Albert Goldbarth, Lindsay weaves informed and moving lyric claims around scientific facts, lamenting extinct species or following local rivers. Some poems warn us to care better for Earth, and all become reminders of our own short spans here, as when this extraordinary writer envisions her own life as a river, "full/ of salmon shoving upstream to breed and die,/ not one of them saying/ remember, remember me." (Nov.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
With wonder and bemusement, Lindsay writes supple, sparkling poems about life’s perpetual coalescence and breaking down. She is particularly intrigued with parasites and decay, and all that goes on beyond the reach of our senses, our consciousness, even our imagination. Flukes of all sorts fascinate her, close calls and cruel collisions. The heart of this gleefully mordant yet profoundly compassionate book is a vivid and involving series about the fictional ancient kingdom of Nab. Here Lindsay sifts through the detritus of a civilization, imagines the inner worlds of people long gone, and the layering of tomb upon tomb, city upon city as bone, clay vessels, and inscribed tablets are all crushed into splinters and shards. Lindsay tells of archaeological missions careless and precise and marvels over our dedication to deciphering lost languages and reassembling shattered objects. Wouldn’t the people of antiquity be amazed to see us sifting through the jumble of their remains? And why do we care so much about leaving our mark? “What is the future approval we think we need?” This is one pleasurably provocative collection. --Donna Seaman
About the Author
Sarah Linday was a finalist for the National Book Award for her first book, Primate Behavior. She earned her MFA from University of North Carolina-Greensboro, and her poems are published in a wide range of magazines, including McSweeney's, The Atlantic, and The Paris Review. She is a copy editor for the inflight magazine of Delta airlines.
Most helpful customer reviews
325 of 351 people found the following review helpful.
"Blood. Sometimes it sets my teeth on edge, other times it helps me control the chaos."
By Amazon Customer
I usually don't read crime novels, but I'm a big fan of the Showtime series "Dexter," and I wanted to read the novel the show is based on. "Darkly Dreaming Dexter" is the first installment of Jeff Lindsay's series about Dexter Morgan, a serial killer with a conscience. Dexter routinely kills and dismembers people in and around Miami, but unlike other serial killers, Dexter has a strict moral code that he struggles to adhere to: Basically, he only kills bad guys. Dexter struggles to keep his dark side under wraps by working as a blood spatter analyst for the Miami Metro Police Department, hanging out with his foster sister, and even having a girlfriend. However, he always succumbs to his "Dark Passenger" and cannot suppress the urge to kill. When a new serial killer begins preying on Miami hookers, Dexter becomes intrigued by his new colleague and is intent on connecting with the murderer, even if it means exposing his own dark secrets.
This book was pretty good. Unlike most crime novels, which I usually think are very poorly written, "Darkly Dreaming Dexter" is composed of a blend of dark humor, intense drama, mystery and suspense, and good old-fashioned blood and gore. I was pleasantly surprised by how much content from the book was used in Season 1 of the television series "Dexter." There are some big differences between the book and the TV show, though. The "Tamiami Butcher" is referred to as the "Ice Truck Killer" in the TV show. The characters of Angel Batista, Vince Masuka, and James Doakes are relatively minor characters in the novel and are featured much more prominently in the television series. Migdia LaGuerta (who is called Maria LaGuerta in the show) is a supporting character in the novel, but is even nastier in the book that she is in the series, if you can believe that.
There are several other plot differences between the book and the novel, and overall, I think the television series is actually much better than the book. All of the characters are much more interesting in the show, and there are more intriguing subplots in the series as well. Also, I thought the ending of the book was extremely rushed, especially the part detailing the relationship Dexter has with the Tamiami Butcher. Hopefully that aspect of things is explored more in Lindsay's other novels, but I don't know if it is or not.
If you're a fan of the show "Dexter" or simply enjoy the crime novel genre, you'll probably find "Darkly Dreaming Dexter" to be an interesting read. However, don't feel like you absolutely need to read the novel if you're a fan of the Showtime series. This is one of those rare instances where the show is actually a lot better than the book.
217 of 240 people found the following review helpful.
A murderously charming protagonist
By Luan Gaines
Here's the deal: a good book writes its own review, triggering sufficient spontaneity to fill the page without reaching for bits of interest; this is one of those books, pushing aside all those mundane summer novels, leaving the reader with a satisfying, "Ah."
The attractively ghoulish protagonist is a sociopath and a murderer, but one with a "conscience", unfortunately an asset as manufactured as his other feelings. But Dexter does his best, given the circumstances. Brilliant and introspective, Dexter charms from the first page, even while distracted, dismembering his latest victim. What makes Dexter's extra-curricular activity bearable is the reason he kills: Dexter only chooses victims who have perpetrated foul deeds, those who would continue harming innocents if not stopped. To be honest, who hasn't secretly applauded the occasional vigilante who takes justice in his own hands, balancing the scales a bit?
Essentially passionless in his pursuit of evil-doers, Dexter is an elegant ghoul, fascinated by blood, the essence of human life. With the self-control of a recently sated vampire, Dexter is intelligent and thorough in his murderous pursuits. Like Rice's Vampire Lestat, this more human predator has a dark, romantic appeal, his dispassionate regard for "necessary" murders seductive and curiously erotic.
Dexter spends his days as a blood spatter analyst for the Miami Dade PD, the perfect job for keeping up with current crime scenes and maintaining a cover, not to mention the chance to troll for other deserving victims. Lurking behind his public self, Dexter is as secure as a serial killer can be. Until another killer shows up, perfectly modeling Dexter's MO. Both anxious and intrigued, Dexter scents a challenge, another creature of the night that lives with a Dark Passenger, as he refers to his murdering alter-ego. But Dexter is torn; he covets this newcomer for himself, but has promised to help his half-sister policewoman solve the case in her bid to become a detective.
Suddenly events spiral out of control, Dexter's careless insouciance is a thing of the past, as he is pursued by dark dreams and chaotic nightmares. Like Alice in Wonderland lost in a psychedelic trance, Dexter tumbles down the rabbit hole. What he finds is completely unexpected, a twisted, deviant detour into horror, startling the man who has thought himself incapable of shock. One has to wonder about Dexter's powers of self-preservation, whether he is tempting fate and secretly wants to be caught.
Lindsay has delivered an inspired mystery, one that demands to be read, in one sitting if possible, the elegant Dexter speaking to the need for justice where often there is none. Can't help but smile at the young man's antics, dancing in the moon-drenched night with his own demons and skirting the edge of mayhem. With infinite grace, the author reaches into the dark heart of each of us, igniting atavistic memory, no doubt with a smile on his face. Luan Gaines/2004.
119 of 133 people found the following review helpful.
Dexter: friendly, sick, and utterly thrilling
By bensmomma
Jeff Lindsay's first novel is gruesome but fascinating in a Silence-of-the-Lambs sort of way (the narrator, who is trying to catch the serial killer, is himself a serial killer). Dexter is a blood-spatter technician with the Miami PD, a perfect job for someone who cuts live people up as a hobby, I suppose!
Relative to Hannibal, Dexter is actually fairly likeable, and the reader finds him/herself strangely "on Dexter's side" as he simultaneously admires and tries to find the killer.
Lindsay has a real knack for plotting; the book moves very swiftly. The end result is the best thriller in ages, and I'm sure we'll see more of Dexter in sequels very soon.
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